{"title":"Klassisk","description":"","products":[{"product_id":"leif-ove-andsnes-geirr-tveitt","title":"Leif Ove Andsnes - Geirr Tveitt","description":"\u003cp\u003eReleasedate April 24th 2026\u003c\/p\u003e\n\u003cp\u003eLeif Ove Andsnes presents music of Norwegian composer Geirr Tveitt\u003cbr\u003e(1908-1981) on this Simax Classics recording of Tveitt’s Sonata No. 29 ‘Sonata etere’ and Folk Tunes. Also recorded here is a selection of Tveitt’s Songs together with Leif Ove Andsnes’ sister, singer Solveig Andsnes. It was a bit of a bold move when Leif Ove Andsnes decided to program Geirr Tveitt’s Piano Sonata No. 29 ‘Sonate etere’ in 35 concerts across Europe and North America in 2024 and 2025. However, in Andsnes’ words, it is “the most ambitious solo piano piece by any Norwegian composer”, and bold move or not, audiences went wild for it and his Carnegie Hall performance of Geirr Tveitt’s Sonata No. 29 was hailed as one of the ‘Best Classical Performances of 2025’ by The New York Times. On this album, Andsnes pairs the sonata with a selection of solo piano works from Fifty Folk Tunes from Hardanger, Op. 150 and a selection of Tveitt’s Songs that he performs together with his sister, singer Solveig Andsnes. In 1970, a devastating fire destroyed Geirr Tveitt’s house and an estimated 300 compositions burnt to ashes. Roughly 80% of his oeuvre was lost forever, including all of the piano sonatas he wrote except for Sonata No. 29 ‘Sonata etere’. This sonata only survived because it had been sent to Norsk Musikkforlag to be published. In Andsnes’ words, the Sonata etere “is a gigantic piece of music built on two simple melodies with many variations. It is a tough piece to play, but very rewarding. With Russian rhythmic influences combined with touches of French music and folk music, Tveitt really is in a world all his own. It is fantastically colourful in its writing for the instrument, full of tension in its architecture, harmony, and rhythm.” The album also includes a selection of solo piano pieces from Femti folkatonar fråo Hardanger (Fifty Folk Tunes from Hardanger). The Songs, in which he fuses folk elements with modernist harmonic language, are set to poetry by leading Norwegian poets of Tveitt’s era. The Norwegian lyrics are included in the booklet of the album, but unfortunately an official English translation only exists for one of these nine poems. To convey their meaning, you will find a short English description of each of the poems on pages 3-4 of this press release.\u003c\/p\u003e","brand":"EMMO","offers":[{"title":"Default Title","offer_id":42506238001246,"sku":"PSC1418","price":199.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/6752\/3422\/files\/PSC1418.jpg?v=1772631255"},{"product_id":"leif-ove-andsnes-geirr-tveitt-kopi","title":"Leif Ove Andsnes - Geirr Tveitt (VINYL)","description":"\u003cp\u003eReleasedate April 24th 2026\u003c\/p\u003e\n\u003cp\u003eLeif Ove Andsnes presents music of Norwegian composer Geirr Tveitt\u003cbr\u003e(1908-1981) on this Simax Classics recording of Tveitt’s Sonata No. 29 ‘Sonata etere’ and Folk Tunes. Also recorded here is a selection of Tveitt’s Songs together with Leif Ove Andsnes’ sister, singer Solveig Andsnes. It was a bit of a bold move when Leif Ove Andsnes decided to program Geirr Tveitt’s Piano Sonata No. 29 ‘Sonate etere’ in 35 concerts across Europe and North America in 2024 and 2025. However, in Andsnes’ words, it is “the most ambitious solo piano piece by any Norwegian composer”, and bold move or not, audiences went wild for it and his Carnegie Hall performance of Geirr Tveitt’s Sonata No. 29 was hailed as one of the ‘Best Classical Performances of 2025’ by The New York Times. On this album, Andsnes pairs the sonata with a selection of solo piano works from Fifty Folk Tunes from Hardanger, Op. 150 and a selection of Tveitt’s Songs that he performs together with his sister, singer Solveig Andsnes. In 1970, a devastating fire destroyed Geirr Tveitt’s house and an estimated 300 compositions burnt to ashes. Roughly 80% of his oeuvre was lost forever, including all of the piano sonatas he wrote except for Sonata No. 29 ‘Sonata etere’. This sonata only survived because it had been sent to Norsk Musikkforlag to be published. In Andsnes’ words, the Sonata etere “is a gigantic piece of music built on two simple melodies with many variations. It is a tough piece to play, but very rewarding. With Russian rhythmic influences combined with touches of French music and folk music, Tveitt really is in a world all his own. It is fantastically colourful in its writing for the instrument, full of tension in its architecture, harmony, and rhythm.” The album also includes a selection of solo piano pieces from Femti folkatonar fråo Hardanger (Fifty Folk Tunes from Hardanger). The Songs, in which he fuses folk elements with modernist harmonic language, are set to poetry by leading Norwegian poets of Tveitt’s era. The Norwegian lyrics are included in the booklet of the album, but unfortunately an official English translation only exists for one of these nine poems. To convey their meaning, you will find a short English description of each of the poems on pages 3-4 of this press release.\u003c\/p\u003e","brand":"EMMO","offers":[{"title":"Default Title","offer_id":42506238066782,"sku":"PSLP1418","price":399.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/6752\/3422\/files\/PSC1418.jpg?v=1772631255"},{"product_id":"leif-ove-andsnes-truls-mork-chopin-schumann","title":"Leif Ove Andsnes\/Truls Mørk - Chopin\/Schumann","description":"\u003cp\u003eTruls Mørk og Leif Ove Andsnes\u003c\/p\u003e\n\u003cp\u003eCelloen appellerte til 1800-tallets romantiske sensibiliteter; dens velklingende melodier og melankolske patos uttrykte selve essensen av den romantiske ånden. Likevel var komponering for instrumentet kun av perifer interesse for de største romantiske komponistene, hovedsakelig på grunn av deres uvitenhet om instrumentets muligheter. Dette ledet enkelte komponister til å søke hjelp fra utøvere. Dedikert til den anerkjente cellisten August Franchomme, er Frédéric Chopins sonate for cello og piano en sjeldenhet i komponistens verkliste, som i hovedsak består av pianomusikk. Her gis celloen den samme rike, mørke behandlingen som Chopin ga venstrehåndsmelodiene på pianoet.\u003c\/p\u003e\n\u003cp\u003eI motsetning til Chopin skrev Robert Schumann en rekke kammermusikalske verker. På denne innspillingen hører vi noen av Schumanns egne cellotranskripsjoner, ”Phantasiestücke” og ”Adagio und allegro”, i tillegg til de særlig vakre konstruerte miniatyrene i de fem ”Stücke im Volkston”. Fremført av den sjeldent dyktige cellisten Truls Mørk og antakeligvis Norges mest anerkjente pianist, Leif Ove Andsnes, er dette albumet en feiring av det vakre i romantikkens musikk for celloen.\u003c\/p\u003e","brand":"EMMO","offers":[{"title":"Default Title","offer_id":42506308714590,"sku":"PSC1063","price":199.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/6752\/3422\/files\/PSC1063.jpg?v=1772634175"},{"product_id":"marius-neset-leif-ove-andsnes-who-we-are","title":"Marius Neset \u0026 Leif Ove Andsnes - Who we are","description":"\u003cdiv\u003eOn September 20, 2024, we are proud to present the world premiere recording of the collaboration between saxophonist and composer Marius Neset and pianist Leif Ove Andsnes, two of the world's leading performers in the fields of classical music and jazz, respectively.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e These two musicians, with backgrounds from different genres, usually focus on different stylistic models in their expressive idioms. For example, like most of his classical colleagues and unlike jazz performers, Andsnes does not improvise. But despite this difference and others, Who We Are strongly suggests that the similarities in the two players’ musical perceptions and approaches are more prevalent and significant than the differences, and that they are pursuing many of the same objectives in their musical narratives.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e In their encounter here, in Neset’s compositions, their playing is imbued with a tangibly inspired, hyper-communicative, fertile sense of community. Playfully, but with total, controlled ownership of both the stillness and the storm, they create music that sounds entirely organic and original, and which in the course of the album’s running time makes words and concepts such as “genres”, “genre blends”, and “fusion” seem oddly irrelevant.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e They are in excellent company with flautist Ingrid Søfteland Neset and cellist Louisa Tuck. Ingrid Søfteland Neset, who lives in Copenhagen, is former principal flautist of the Stavanger Symphony Orchestra. She is the saxophonist’s sister and often plays together with him. Louisa Tuck, originally British but now based in Oslo, has been principal cellist of the Oslo Philharmonic since 2015, and also has an extensive solo career. These two musicians, with their finely honed classical training and flawless instrumental technique, are perfectly suited to the quartets and duos of Who We Are. An attentive listener can simply lean back in a comfortable armchair (or perhaps sit at the edge of it), be carried away, and even break out in delighted laughter when the musicians’ inspired interplay takes off into the stratosphere.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe album was recorded at Rainbow Studios in December 2023 with Jørn Pedersen as producer and Martin Abrahamsen as engineer. 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For example, like most of his classical colleagues and unlike jazz performers, Andsnes does not improvise. But despite this difference and others, Who We Are strongly suggests that the similarities in the two players’ musical perceptions and approaches are more prevalent and significant than the differences, and that they are pursuing many of the same objectives in their musical narratives.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e In their encounter here, in Neset’s compositions, their playing is imbued with a tangibly inspired, hyper-communicative, fertile sense of community. 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An attentive listener can simply lean back in a comfortable armchair (or perhaps sit at the edge of it), be carried away, and even break out in delighted laughter when the musicians’ inspired interplay takes off into the stratosphere.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe album was recorded at Rainbow Studios in December 2023 with Jørn Pedersen as producer and Martin Abrahamsen as engineer. 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Her ser hun tilbake på sitt liv, sine triumfer og sine mest smertefulle nederlag. En ung sykepleier blir en fortrolig samtalepartner og venn. Nå kan hun snakke fritt.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSjangermessig kan operaen beskrives som melodisk med lyriske og dramatiske trekk.Librettoen er basert på det kritikerroste teaterstykket Flagstad – Triumph and Tragedy av Einar Bjørge som ble svært godt mottatt i New York i 2014. Både operaen og teaterstykket, er basert på unikt kildemateriale om Flagstads liv og karriere blant annet fra arkivene ved Kirsten Flagstad Museet på Hamar. FLAGSTAD – THE OPERA får sin urpremiere på Hamar, Kirsten Flagstads fødested, 11. juni 2021, og samme dag slippes utgivelsen på CD (ink.DVD). Opptaket er fra generalprøven på scene 2 i Den Norske Opera i november 2020.\u003c\/span\u003e\u003c\/p\u003e","brand":"EMMO","offers":[{"title":"Default Title","offer_id":42844246802526,"sku":null,"price":269.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/6752\/3422\/files\/2002438229.webp?v=1780655029"},{"product_id":"ketil-bjornstad-guro-kleven-hagen-the-personal-gallery","title":"Ketil Bjørnstad \u0026 Guro Kleven Hagen - The Personal Gallery","description":"\u003cp\u003e\u003cspan\u003eI 2010 hørte Ketil Bjørnstad fiolinist Guro Kleven Hagen for første gang. Det satte et varig inntrykk som har resultert i et helt nytt samarbeid med albumet The Personal Gallery, som er ute 24. april på Grappa Musikkforlag.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMed sistesatsen fra Tsjaikovskijs fiolinkonsert kom Kleven Hagen for ti år siden på andre plass i Eurovision Young Musicians-konkurransen foran den russiske pianisten Daniil Trifonov, som også spilte Tsjaikovskij den gangen. Året etter hørte Ketil henne igjen spille hele Tsjaikovskij-konserten med Oslo-Filharmonien. Da var Guro bare 17 år gammel.\u003c\/span\u003e\u003c\/p\u003e","brand":"EMMO","offers":[{"title":"Default Title","offer_id":42844347990110,"sku":"GRCD4656","price":199.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/6752\/3422\/files\/grcd4656.webp?v=1780655437"},{"product_id":"ketil-bjornstad-jag-etter-vind-chasing-the-wind-2cd","title":"Ketil Bjørnstad - Jag etter vind \/ Chasing the wind (2CD)","description":"\u003cp\u003eDen 10. Februar 2024 ble Ketil Bjørnstads «Jag etter vind» uroppført i en fullsatt Oslo domkirke, med et kor på over hundre sangere akkompagnert av et stjernelag av musikere. Teksten er en bearbeidet versjon av Bibelens «Forkynneren», en filosofering rundt temaet meningen med livet, eller fortolket: den manglende meningen med livet. En tekst som er like aktuell i dag, som da den ble nedtegnet. Konserten fikk strålende mottagelse, og den 18.10.2024 er den tilgjengelig på en dobbel-CD som inneholder konsertopptaket og Bjørnstads piano-skisser av verket.\u003c\/p\u003e\n\u003cp\u003eI 1992 komponerte Ketil Bjørnstad «Messe for en såret jord». Den ble uroppført  i Frogner kirke, og Erik Hillestad og KKV ga ut albumet. Hillestad skrev teksten til messen. I årene etterpå tenkte Bjørnstad ofte på «Forkynneren», med en viss forbauselse over at de fantastiske og eksistensielle tekstene ikke hadde fanget interessen til kor, festivaler eller konsertarrangører tidligere. Var de for kraftige? For nådeløse?\u003c\/p\u003e\n\u003cp\u003eI 2019 kom muligheten, da Catharina Jacobsen, Bjørnstads ektefelle, spurte om Ketil kunne komponere noe nytt for hennes eget kor, Nordstrand Musikkselskaps kor. Da hadde de begge hørt baryton-sangeren Brynjar Onsøien i Vaughan Williams’ «Songs of Travel» under en julekonsert med koret, og stemmen og formidlingen hans gjorde sterkt inntrykk. Hverken Catharina eller Ketil glemte Brynjars maktfulle baryton, og da koronaen kom for alvor til Norge, satte Catharina seg ned og redigerte teksten til «Forkynneren» i Det gamle testamentet, med fokus på det eksistensielle.\u003c\/p\u003e\n\u003cp\u003eKetil forteller:\u003cbr\u003e- Da hun viste meg hva hun hadde gjort, var det en stor inspirasjon å lese tekstens blanding av nærhet, advarsler, trøst og monumentalitet. Jeg hadde fortsatt Herbert Blomstedt og Oslofilharmoniens oppføring av Bachs Johannespasjonen i hodet, blandet med Prokofievs femte symfoni, og  uten å kunne glemme disse sterke inspirasjonskildene tok kantaten «Jag etter vind» form, som en dialog mellom Forkynneren og menneskene.\u003c\/p\u003e\n\u003cp\u003eI august 2023 gikk Bjørnstad til produsent og tekniker Mike Hartung i Propeller Studio. Han spilte gjennom hele verket på Bechstein-flygelet. Piano-skissene fungerte senere som støtte for sangerne og musikerne under innøvingen.. Skissene fikk en helt egen dynamikk, og er inkludert på del 2 av «Jag etter vind».\u003c\/p\u003e\n\u003cp\u003eMed Nordstrand Musikkselskaps kor som basiskor, ble nye sangere invitert med til et utvidet prosjektkor på over hundre stykker, gjennom Norges Korforbund Oslo-Akershus, som også støttet prosjektet økonomisk og praktisk. Bjørnstad henvendte seg til musikere han tidligere har jobbet med, og nye som han var nysgjerrig på.\u003c\/p\u003e\n\u003cp\u003eKetil avslutter:\u003cbr\u003e- Vi uroppførte ´Jag etter vind´ i en fullsatt Oslo domkirke 10. februar i år. Brynjar sto på prekestolen. Det mektige koret, med sangere i alle aldre, fra åtte til åtti år, fylte kirkerommet foran alteret. Det var kaldt utenfor. Verden var i krig på flere fronter, og tekstene traff både som en knyttneve og som en trøst:\u003c\/p\u003e\n\u003cp\u003e- Alt har sin tid. Alt har sin faste tid. En tid til å drepe, en tid til å lege, en tid til å rive, en til å bygge.\u003c\/p\u003e\n\u003cp\u003eTekst: Forkynneren\/Ecclesiastes, bearbeidet av Catharina Jacobsen\u003cbr\u003eTeksten er tatt fra NO78\/85 og Bibel 2011 © Bibelselskapet.\u003cbr\u003eMusikk: Ketil Bjørnstad\u003cbr\u003eBearbeidelse av tekster: Catharina Jacobsen\u003cbr\u003eOrgel: Stefan Ibsen Zlatanos\u003cbr\u003ePiano: Ketil Bjørnstad\u003cbr\u003eDirigent: Tore Brox\u003cbr\u003eVokal: Brynjar Onsøien\u003cbr\u003eFiolin\/Hardanger fele: Nils Økland\u003cbr\u003eFløyte\/Fagott: Hanne Rekdal\u003cbr\u003eKontrabass: Ellen Brekken\u003cbr\u003ePerkusjon: Helge Andreas Norbakken\u003cbr\u003eLyddesign: Sven Persson\u003cbr\u003eProsjektkoret Jag etter vind\u003cbr\u003eNordstrand Musikkselskaps kor\u003cbr\u003eGAEA\u003cbr\u003eAmalie Grani (solo)\u003cbr\u003eSangere fra Oslo Domkirkes Guttekor\u003cbr\u003eSangere fra Trefoldighet Jentekor\u003cbr\u003e \u003c\/p\u003e","brand":"EMMO","offers":[{"title":"Default Title","offer_id":42844400156766,"sku":"PSC1411","price":329.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/6752\/3422\/files\/epu3IBMQ.webp?v=1780655652"}],"url":"https:\/\/emmo.no\/en\/collections\/klassisk.oembed","provider":"EMMO","version":"1.0","type":"link"}